Making a Reel: Hunting for Footage

"Do you have a good reel?"

It's a question that always makes me squirm. "Er... I'm working on it," I'll mutter. Then the person will inevitably smile politely and say something like "Oh, I see" before changing the subject. It's the one big chink in my armor that still exposes me as an unprofessional boob.

To be fair, not every new actor in LA needs a reel the first day they get here. When I arrived last October nobody had filmed me in anything besides the occasional home video shot by mommy and daddy.

Casting directors will not be impressed.

So the first task of a befuddled LA actor who's trying to make a reel is to get cast in things. But wait, don't I need a reel to get cast? Well, yes. Shut up. 

Do crap for free. If you think you're getting good material out of it, whore that talent of yours out to any pimply college kid who comes your way. Then ruthlessly forget his name after you get your first Oscar nod.

I'm at a place in my career where I've shot enough solid material though, so I've run out of excuses. 

I now have to embark on a giant email quest to actually obtain a copy of everything. You can't just rip stuff straight off of Youtube, alas. It's a lot of "Hi! Remember me?" (They probably don't.) "Could you take some time out of your super busy day to send me that piece I did for you awhile back?"

Most of these people I haven't talked to in months. And from what I hear there's always that one guy who I'll have to pester twenty thousand times until his only choice is to either give me what I want or rip his own eyeballs out in annoyance. 

But I gotta do what I gotta do. A good reel will open doors for me in ways that a headshot can't. I'll keep you guys posted on my process and would appreciate any advice from you veterans out there. Soon I'll be able to answer "Do you have a good reel?" with "Heck yeah I do! And it's better than yours, dummy!"

Or something like that.